If we were to discover with certainty that our consciousness is a mechanism that creates the reality that we experience then how to explain The Phenomenon? What source repository of experience would trigger singular or collective minds to a degree that a UFO experience is manufactured? Let us engage in some speculation and thought-dialogue here.
Jung’s archetype collective or a similar system of psyche-to-experiential physical representation is a possibility. But from where does that originate? Experience is the sum of… experience. Symbolic archetypes are still based on known objects, animals, colors, etc. that have ascribed meaning. What is derived from whole cloth into human experience? Language and symbols are. Symbols are especially interesting; they are frequently created as geometric drawings, representations of a diagrammatic item that does not exist in nature. In some cases they are representative of existing tools, such as a key. But a symbol, such as a circle, a hexagon, a cross, these are creations from human imagination. They did not exist in nature until humans created them. I believe this is why symbols are so important and closely tied to understanding The Phenomenon. It is also why some recorded events of The Phenomenon could approach a categorization of elaborate performance art. This is a possibility researcher Greg Bishop has mused upon before.
For my part, it dawned on me the Billy Meier hoax is essentially a large, long running multimedia performance art piece. But then I began to progress in my thinking that perhaps sightings and events with document credence also have some aspects of performance art. In many cases the behavior of the craft, the visual aspects, the occupants and chain of events are of such high strangeness and absurdity that they closely mirror an artist’s elaborate performance of operatic surrealism. A review of the vast body of literature reveals the percipients of these occurrences are often profoundly affected emotionally and spiritually. The effects can be similar to those that result from one’s experience with great art, especially highly stylized music, visual art and film. There are those who are deeply moved by performances of Mozart or Brahms, or by viewing Titian, Monet or Picasso.
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