When Braque saw Picasso’s first Cubist painting “Les Demoiselles d’Avignon” in his studio, he had a reaction that could be defined as transcendent or closely mystical in its effect. He didn’t not know how to mentally process the extreme novelty of the artwork, so overwhelmed was he by the paradigm smashing nature the painting represented.Continue reading “Journal Entry: Picasso, Braque, Cubism and the Extreme Psychological Reaction of the UFO Experience”
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