Meier As Performance Art

The Billy Meier case is one I have been referring to as performance art. When seen through the lense of performance art the Meier case can be considered a grand, long running showcase of multi-media performance art. Indeed, it may have been and remains still today, ahead of its time. In the 70’s Performance Art was in its nascent state. The Meier event is one that combines film, written, visual design and possibly acting performances as part of one massive long running piece with weighty philosophical and spiritual themes.

It has its devout believers however, and admittedly as is frequently the case much of the evidence is compelling, true or falsified by the investigators. Ultimately the case must be considered a hoax but certainly worth the researcher’s time to look into. Reading Meier’s contactee reports, of which there are thousands, it strikes me that there must have been a tremendous force of will, motivation and imagination to write all of the material around his conversations with the Pleiadian, Semjanse. This is a deeply spiritual writing of which Meier apparently conceived as a conversation with his ET friend. The psyche or personality who would undertake such an effort in addition to the photos and 8mm films is one of much interest to me. What motivates one to construct such a reality? This concept alone would fill a book’s worth of material. 

Sagan, Sitchin & Syncs

More synchronicities – 

Last weekend I told a friend the story of Zecharia Sitchin and how Carl Sagan may have beat him to the punch on the idea of the Sumerian’s contact with advanced ETs. Then yesterday reading Ray Fowler’s “The Watchers” he discusses the Sagan book that posited the Sumerian/ET connection (but not the original paper he wrote as a young man, see, “The Sagan Conspiracy”). 

Speaking of The Watchers. There is a description of Betty Luca’s encounter where she describes a “Museum of Time,” a series of people of various human historical time periods “frozen like in ice.” It struck me that Sumerian (and other cultures) mainly represent historical events in that manner of art. That is, a series of panels depicting the people and events as depicted through symbols and historical figures such as people and “gods.” Just a thought. 

We Only Need to be Right Once

For the sake of argument, let’s use my preferred term, “ultraterrestrial” as opposed to the normative “extraterrestrial.” Ultraterrestrial defined in the Valle or Keen sense of the term, beings of comparable to advance intelligence that don’t fall in the species classification spectrum of what we would consider “human.” There’s just too much evidence that points in either direction, but I find ultraterrestrial is more apt catch all term encompassing the possibilities of beings both from other planets as well as different dimensions, space and time. 

It is my contention in the realm of dealing with skeptics who deny the existence of such beings that the burden of proof is heavier for them. The researcher into the existence of the ultraterrestrial only needs to be definitively right once and the argument is over. The skeptic must continuously disprove the evidence, or lack thereof, debunk the event and logically counter-argue for the truth. Such is the burden of the skeptic.

MetronDeep

Expanding thought-horizons for humanity.

1/2/2020

Happy New Year!

MetronDeep will chronicle the findings of the Metron Deep Research project and discuss various topics within the extranormal. 

Extranormal can be defined as the cumulative marriage of information in the areas of UFOlogy, spiritualism, religion, new science, old science, physics, hermetics, psychology and sociology. 

MetronDeep will focus on these 2 components:

Research and findings from the Deep Metron project.

Writings about Extranormal topics

Will have an emphasis on comparative study and search from connection among the various fields which is the essential nature of the Metron Deep Research project.

Contact: researchmetron@gmail.com